▶ INTRO REEL

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REC

Now streaming · Season 01

VIVIANN

Copywriter · Concept developer · Art director

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Viviann, allegedly working

Creativity has always been my playground, but research is my first instinct. I have my academic background to thank for that, so you can rest assured every creative idea I have comes with a receipt. Unfortunately for my friends, that also means I'm basically a walking Google whenever we disagree.

A few other things you should know about me: I'm a huge football fan, as you've seen in the video above… and yes, that is Issam Chaouali reading a script I wrote. (Not over it yet.) I also like to think ADHD becomes a superpower whenever a deadline gets impossibly tight. My work has taken me across campaign concepts, creative translations, awards submissions, and everything in between. Turns out, I enjoy wearing more hats than Diane Keaton.

Basically, if it involves words, ideas, or a deadline that scares everyone else, I'm probably having fun.

01

The Big Ones

Campaign

Hyundai × Issam Chaouali

FIFA World Cup 2026

Role: Concept development · Copywriting

The original idea was to collaborate with Arab football legends. But as a football fan, I had to disagree. In the Arab world, the true football stars are the commentators, not the players. So, if we really wanted to make noise during the World Cup, there was one obvious choice: Issam Chaouali.

The concept was to have him use football terminology to cleverly describe Hyundai's features and technologies. Writing those scripts required a rare combination of skills: copywriting, deep knowledge of the cars, and an even deeper knowledge of football. I happened to be all three.

Campaign

Hyundai Ramadan 2026

Arabization & adaptation

Role: Copywriting

The best way to talk about clichés without making your audience cringe? Go so comically over the top that the cliché starts making fun of itself while still getting the message across. The challenge with this brief was that the concept had already been developed, the films had already been shot, and the ChatGPT-ed, jargon-filled English scripts had already been written. I "simply" had to Arabize them… as if that's ever simple.

Since this was a Ramadan campaign, Arabic wasn't just a translation; it was the main language of the campaign. It also had to be white Khaleeji, match the timing of every scene, be as witty as possible, and still be Ramadan-appropriate (and client-appropriate). Let's just say I got it covered وسقتها زي البطل.

02

Getting Social

Branding · Social

Dookan

Lebanese street food in Paris

Role: Concept development · Art direction · Copywriting

When you think of Lebanese food, it's usually a traditional dining experience with lots of mezze (the Lebanese version of tapas), beautiful interiors, and all the traditions that come with it. This brief was different. It was about Lebanese street food, targeted specifically at the Arab diaspora in Paris. The client told me: "I want people to feel nostalgic. I want this to be somewhere they can stop by every day, not somewhere they save for weekend brunches."

I started with the art direction. I developed a collage-inspired visual language with bold colors, cutout photography, ripped-paper textures, and playful typography that instantly brings the 80s and 90s back to life. I wanted to appeal to the child in them — because that child would choose a falafel wrap or a sfiha baalbakiyye over just about anything, any day of the week. That same feeling guided every part of the branding, from the concept and art direction to the copy.

HD images to be provided.

03

We'll Get There Eventfully

Event · Pitch

IONIQ 5.6.9

A Sole DXB concept

Role: Concept development · Art direction · Copywriting

In this one, I want you to see more than the kind of ideas I can come up with for events or how I can contribute to them. I want you to see how I build a pitch, how I rely on research, the thought process behind every idea, and the rationale that supports it. It also says a lot about my creative biases: I firmly believe humor is one of the most underrated tools in advertising… and yes, I clearly have a soft spot for retro concepts.

🗂️

Pitch deck

Not online yet — deck to be provided and embedded here.

04

The Real Winner

Awards

Awards Submissions

Turning ideas into trophies

Role: Editorial direction · Copywriting · Case-study submission

I'm not sure how it started, but somehow I became the "awards girl" at the office. Well… actually, I do know. I attend as many awards seminars and workshops as I can, stay up to date on who won what and, more importantly, why. I've learned that the best award-winning ideas aren't the ones that simply sound cool, but the ones you build on the right insights from the right people (strategy, data, etc.). Do that, and you've already given yourself the best chance at earning the recognition you deserve.

That's why I don't just work on the creative side of award submissions through script development and editorial direction. I handle the strategic side just as much — knowing which campaigns have the strongest chances in which categories, and how to build a submission deck that gives a creative idea the best chance of competing.

Hire me, and you'll have a winner. (See what I did there?)

🎞️

Case-study film

To be provided

🖼️

Image 01

To be provided

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Image 02

To be provided

B-side

The Deep Cuts

Smaller things I still had fun making.

Social

Hear Me More

That's all from me.

Placeholder links — swap for your real Instagram / LinkedIn / Behance / email.